Following up his Oscar win earlier this year for Quentin Tarantino's The Hateful Eight, the legendary composer Ennio Morricone seems to be as busy as ever. ...
The cinema of Terrence Malick presents a unique challenge to viewers because it tends to eschew straightforward storytelling in favor of impressionistic med...
Across his three features this century, Andrew Dominik has explored masculine ideals (and the lack thereof) with an uncompromising vision. While earning the mos...
A "religious western" is how Moroccan-based Spanish director Oliver Laxe describes his second film, Mimosas, winner of the top prize at Cannes' Critics’ Week. I...
With Knight of Cups arriving on Blu-ray soon (albeit with some embarrassing cover art) and Voyage of Time finally getting a release date, the year of Terren...
There is a moment in Sean Penn’s new film -- for some reason screening this week in competition in Cannes -- when, having navigated the safe passage of a group ...
Park Chan-wook has often iterated his conviction that vengeance is a topic ripe for infinite cinematic treatments. Following the conclusion of his trilogy dedic...
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we've taken it upon ourselves to highlight the titles that have recently hit the interwebs....
Excepting a handful of his contemporaries, no director encourages widespread debate as much as Terrence Malick, a once-revered mystery man whose increasingl...
