While we wait and see if Martin Scorsese will get the help he needs to fund the budget for his next project Killers of the Flower Moon–which was just about to ...
A gem in the vast cosmology of Jonas Mekas' career, Notes on an American Film Director at Work: Martin Scorsese follows its subject during various days and nig...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Michael Snydel, and Bill Graham are joined by special guest Maddie Whitt...
As studios have been forced to postpone not only the release dates but the production of their tentpoles, resulting in millions upon millions of dollars in los...
As the uninformed dimwits of Twitter argue that Martin Scorsese ever only makes one kind of movie and expose themselves as having seen but a small portion of t...
It's one of the best moments of award season. No, not the Oscars this weekend. Rather, the Directors Guild of America has shared their extensive, 2-hour, 41-mi...
Martin Scorsese gave ILM special effects supervisor Pablo Helman the script for The Irishman in 2015 on the set of Silence, and he was hooked. It took the visu...
As a truncated awards season continues with the Oscars only a month away, one of the few positives to come out of the frenzied horse race (aside from the free ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertor...
