Kelly Reichardt

Kelly Reichardt & Michelle Williams on Finding the Art in Showing Up, Mike Leigh’s Influence, and What They’re Reading

Showing Up contains many of the hallmarks of a classic Kelly Reichardt picture: a Pacific Northwest setting, a Jonathan Raymond co-writing credit, Christopher ...

First Trailer for Kelly Reichardt’s Showing Up Finds Michelle Williams Living the Art Life

The best Michelle Williams performance of the year was not, in fact, in a Steven Spielberg-directed motion picture, but a reunion with her greatest collaborato...

Cannes Review: Kelly Reichardt’s Showing Up Examines the Meditative Joy of Creation

Two years after First Cow, which we collectively named our favorite film of 2020, Kelly Reichardt returns with a work like a line drawing: neat, lean, evocativ...

André Benjamin, Hong Chau, Judd Hirsch & More Are Showing Up for Kelly Reichardt’s Next Film

One of the great American filmmakers is filling out the cast of her next film. After it was announced the Kelly Reichardt would be reteaming with longtime coll...

John Magaro Reteams with Kelly Reichardt for Showing Up

Named the best film of 2020 here on The Film Stage, Kelly Reichardt's quietly stunning First Cow deserved more attention during awards season but like the rest...

Kelly Reichardt and Michelle Williams Reunite for Showing Up

One of the greatest creative partnerships in modern filmmaking is continuing. After teaming for Wendy and Lucy, Meek's Cutoff, and Certain Women, Kelly Reichar...

Recommended New Books on Filmmaking: Goodfellas, Kelly Reichardt, Oliver Stone, Cannon Films, and More

It has been a few months since our last rundown of new books exploring the world of cinema (and a little beyond), and the pile is growing with noteworthy texts...

The Film Stage Show Ep. 399 – First Cow (with Alex Heeney)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Michael Snydel, and Bill Graham are joined by Alex Heeney to discuss Kel...

Intermission Ep. 9 – Certain Women (with Orla Smith)

Welcome back to Intermission, a spin-off podcast from The Film Stage Show. In a time when arthouse theaters are hurting more than ever and there are a plethora...

Kelly Reichardt on Creating the World of First Cow and Surviving in the Wilderness

With each successive film she directs, Kelly Reichardt refines and clarifies her unique aesthetic, one that’s rooted in gentle observation and cumulative grace...

News

Joachim Trier and Renate Reinsve Plot Worst Person in the World Reunion Sentimental Value

The Criterion Collection’s December Lineup Includes Guillermo del Toro, The Red Balloon Box Set, and Blast of Silence

Film Fest Gent Are Now Streaming New Shorts from Terence Davies, Bi Gan, Jia Zhangke, and More

Trailers

First Trailer for Bruno Dumont’s Sci-Fi Feature The Empire Promises Epic Scale and Silly Gags

William Friedkin’s Final Film The Caine Mutiny Court-Martial Receives Trailer

Exclusive Trailer for Metrograph’s Robby Müller Retrospective Featuring Films by Jarmusch, Friedkin, Wenders & More

Reviews

TIFF Review: Sorry/Not Sorry is a Reductive Inquiry into the Cancellation of Louis C.K.

TIFF Review: Sing Sing is an Emotionally Restorative Portrait of the Artistic Process

TIFF Review: Lukas Moodysson’s Together 99 is a Bittersweet, Bruising Reunion

Features

NYC Weekend Watch: The Wild Bunch on 70mm, Sexy Beast, Lost in Translation & More

New to Streaming: Barbie, El Conde, Rotting in the Sun, Talk to Me & More

NYC Weekend Watch: Sembène, Sorcerer, The Battle of Chile, Dennis Hopper & More

Interviews

Cinematographer Ed Lachman on Being Pablo Larraín’s “Dance Partner” for El Conde

Terence Davies on Bringing Poetry to Life, Directing His New Short, and Planning His Next Feature

Wayne Wang on His Diverse Filmography, Revisiting Old Work, and the Time Gangsters Visited His Set

Podcasts

The B-Side – Michael Keaton: Part II (with Cory Everett)

Watch: Cinephile Summer Season Finale Features The Film Stage vs. Bright Wall/Dark Room

The B-Side – In Conversation with Dustin Guy Defa