Although John Carpenter's primarily worked in (and forever defined) sci-fi and horror pictures, the man has long loved noir. (Never forget Harry Dean Stanton b...
It's been great having a spree of new John Carpenter albums over the last decade; we might also acknowledge that roughly half of them were tied to projects few...
It was just a few months ago that John Carpenter proudly proclaimed a return to the director's chair. In his case a couch: a new series entitled John Carpenter...
As we get ready to present a 35mm print of Rio Bravo at New York's Roxy Cinema next weekend I've been thinking a lot about the anecdote, once oft-told by the m...
Hardly anyone expected John Carpenter to get back in the director's chair and just as many have accused him of being overambitious in recent years. Which makes...
Celebrating his 75th birthday this week, John Carpenter is content cashing checks for the many upcoming reboots and remakes of his classics, crafting music for...
Halloween Ends arrives like the undercooked dessert of a three-course meal nobody much enjoyed—but what garnish these John Carpenter scores were! Unlikely as i...
John Carpenter's current musical output is so voluminous it's almost easy to take him for granted. After a recent run on the Halloween sequels—and before this ...
Where does one even begin with Halloween Kills? Is it paramount to speak of its content, which achieves the impossible of being so stretched out that it couldn...
It's a great time for John Carpenter fans. While, no, he might never make another movie, the musical output in recent years has been positively voluminous: the...
