Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Heather Schwedel to discuss G...
Every night in Barbieland is “girls’ night,” or so goes the bedazzled legend of Greta Gerwig’s Barbie. The Barbies stay up late, talking, splashing in the pool...
If you've been paying attention to indie filmmaking for the last decade, you've long been familiar with Greta Gerwig, but now her ascension reaches its greates...
As a slight shift from the scope and scale of Frances Ha and Mistress America, Greta Gerwig and Noah Baumbach's (writer-director and co-writer, respectively) l...
With each new directorial effort, Greta Gerwig has expanded her scope and now crossing the $100 million budget threshold we have her (and co-writer Noah Baumba...
Certain literary works feel destined for adaptation; with Don DeLillo’s postmodern classic White Noise, published in 1985, it was surely inevitable. Inevitable...
Don DeLillo's rarely been adapted for film and Noah Baumbach's never adapted a novel*. Does that make them certain bedfellows? Well, no, probably not even a li...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Michael Snydel, and Bill Graham are joined by Sara Michelle Fetters to d...
As a truncated awards season continues with the Oscars only a month away, one of the few positives to come out of the frenzied horse race (aside from the free ...
Though living nearly a century-and-a-half apart, there’s a shared fierce independence between the protagonists of Greta Gerwig’s two solo directorial features,...