With her first film in over a decade arriving to much acclaim on the fall festival circuit (including our own Venice review), there's still a few weeks to go b...
Perhaps the biggest cultural difference between the U.K. and U.S. is the way success is viewed. While America tends to celebrate those who make it, British cul...
For fledgling animation studios, the first impression is always the most important. Pixar managed to cement their brand of heartfelt, pop culture-inflected sto...
An official selection at Sundance (where it picked up the 2021 Emerging Filmmaker Special Jury Award) and AFI Docs, Parker Hill and Isabel Bethencourt's medita...
When George Clooney jumped to directing he claimed to be motivated by the kinds of movies Hollywood doesn’t make anymore—screwball comedies, sober political th...
While the season of Ryusuke Hamaguchi formally began with last month's arrival of Kiyoshi Kurosawa's Wife of a Spy (which he co-wrote), this week finally bring...
Chinese cinema is at a weird place. On the one hand, three of 2021's top five worldwide grossers are, as of writing, Chinese, so it’s doing more than okay on t...
All About My Sisters, the nearly three-hour documentary debut from Wang Qiong, could be called All About My Sister. More specifically her sister Jin, who was a...
It was perhaps predestined Todd Haynes would one day make a film about the Velvet Underground. Predestined since Velvet Goldmine, at least, which—in a time whe...
Zhang Yimou has one of the more fascinating careers of any director. He became a pioneer figure of contemporary Chinese arthouse cinema in the late 1980s / ear...
