After many years of radio silence on Elaine May's Crackpot, a comedy starring Dakota Johnson that was planned to be the 92-year-old filmmaker's fifth and final...
Ask and you shall receive. A couple weeks ago I had some flash of memory about Crackpot, the new Elaine May feature––her first since Ishtar, released during Ro...
Outside the likes of Charles Laughton and Barbara Loden, there are seldom filmmakers who have earned such a reputation after directing so few films as Elaine M...
You'll be forgiven for not realizing one of this decade's most enveloping, complex, haunting, and haunted performances exists almost exclusively on a bite-sized Adult Swim series....
When it comes to documentary filmmaking, the issue of perspective is often of paramount importance. A great deal of sensitivity and tact is required in telling ...
When observing its material from something of a remove, it could easily be argued that Fassbinder: To Love Without Demands is a bit drier than its amazing subje...
"If shots came from more than one direction, then there is no doubt in my mind there was a conspiracy; it's been that simple since back in the '60s, and it's ...
Apocalypse. Armageddon. The Rapture. No matter what the name, it all means the same thing: the end of the world and life as we know it. Mankind’s fascinatio...
In William Joyce’s charming picture book The Leaf Men and the Brave Good Bugs, an aging grandmother introduces her grandchildren to the miraculous hidden world ...
I'm not sure there has ever been a more apt name for a film than the one musician turned filmmaker Quentin Dupieux chose for his newest existentialist romp thro...
