Operating on a level of ridiculousness so high it suggests possible intention, Lee Daniels' The Paperboy is trash pile packed high, high and higher still. Adapt...
As more news floods in from Cannes, Variety has informed us that Mia Wasikowska is set to lead the Australian picture Tracks for The King's Speech producers...
In Ben Wheatley's third film Sightseers, the British director, known for taking scenes of normalcy and then spiking them with extreme violence, continues his st...
It's been a busy time for Precious director Lee Daniels. His new film, The Paperboy, is screening tomorrow at Cannes and already, Daniels working on his nex...
In Leos Carax's (Pola X) delightfully surreal Holy Motors, the filmmaker seems to be channeling the absurd sensibilities of Luis Buñuel in his prime. Having not...
One of the early stand-out films of this years Cannes film festival was its opener, Moonrise Kingdom, by quirky American auteur Wes Anderson. Combining a vi...
The problem with On the Road, directed by Walter Salles (The Motorcycle Diaries), is that it wanders, and in no real direction. Of course, that's the whole poin...
Iranian filmmaker Abbas Kiarostami made a major splash at the 2010 Cannes film festival with his first feature film shot outside of his home country of Iran, Ce...
Takashi Miike (13 Assassins) is perhaps one of the most prolific filmmakers working in contemporary cinema today. He averages about 3 to 4 films a year and has ...
Today brought the Cannes debut of Andrew Dominik's Killing Them Softly -- read our very positive take here -- and, with it, the arrival of a screen duo that...
