Initially considered the heir to Robert Bresson, Bruno Dumont shocked audiences in 2014 with the heel-turn of his Twin Peaks-inspired miniseries P'tit Quinquin...
I wish there were an exact subgenre for Robina Rose's Nightshift so I could see every single one of its kin. The British feature––recalling the austere melanch...
Six years since his last solo directing feature, Her Smell, Alex Ross Perry returned to the world of rock in a very different way with Pavements. A tribute to ...
“The world is a vampire” –– Billy Corgan, 1995
Before jumping directly into the action, Paul W.S. Anderson's In the Lost Lands opens with a framing de...
After showcasing work from the likes of Ryûsuke Hamaguchi, Hou Hsiao-hsien, Kelly Reichardt, Pedro Almodóvar, Souleymane Cissé, Jia Zhangke, Spike Lee, Lynne R...
"Focus the text" commands a translation app pop-up at the mid-point of Matías Piñeiro’s new experimental essay film You Burn Me. It’s a mantra that the Argenti...
After making a splash with his uncompromising incest drama Saint-Narcisse, underground Canadian filmmaker Bruce LaBruce returned to Berlinale last year with Th...
Named one of the 10 best films of Cahiers du Cinéma back in 2023, Rabah Ameur-Zaïmeche's crime thriller The Temple Woods Gang is finally getting a proper U.S. ...
Three decades on from Brian De Palma’s gleefully unhinged psychological thriller Raising Cain, John Lithgow has once again found a cinematic role to showcase h...
Wherever you call home, it's hard to be invested in cinephile culture without a mind towards its health. It was hardly some casual choice when Sean Baker took ...