The Film Stage - Page 919

The Film Stage Show Ep. 335 – If Beale Street Could Talk

We talk about the film you voted on for us to discuss: Barry Jenkins' romantic drama If Beale Street Could Talk....

Berlin Review: ‘By the Grace of God’ Methodically Chronicles Sex Abuse in the Catholic Church

French director François Ozon has delivered one of the best films of his eclectic career with By the Grace of God, a drama whose seriousness and sincerity marks...

Rendez-Vous Review: ‘CoinCoin and the Extra-Humans’ Accentuates the Extremities of ‘Li’l Quinquin’

CoinCoin, formerly known as Li’l Quinquin in Bruno Dumont’s film of the same title, is back in CoinCoin and the Extra-Humans (CoinCoin et les Z’inhumains). His ...

Berlin Review: ‘Driveways’ is a Bittersweet, Emotional Tale of an Unusual Friendship

It isn’t easy making a film like Driveways stand out. We have walked these streets so often before. We know the twists and turns. We expect the darker corners. ...

New Trailer for Khalik Allah’s ‘Black Mother’ Goes to the Heart of a Country

Khalik Allah, a visual artist best-known for collaborations with Beyoncé (as DP on Lemonade) and the Wu-Tang Clan, is following-up 2016's much-praised Field...

New to Streaming: ‘Spider-Man: Into the Spider-Verse,’ ‘To Sleep with Anger,’ ‘O.G.,’ and More

All the newly streaming films of Netflix, Amazon, MUBI, and more....

NYC Weekend Watch: Ringo Lam, ‘My Winnipeg,’ ‘Foxy Brown’ & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...

The Film Stage Show Classic – Crimson Tide

We discuss Tony Scott's Crimson Tide, starring Denzel Washington, in a special Patreon-backed Classic episode....

Berlin Review: ‘Bait’ is a Punky, Poignant, and Profound Allegory About Fishing

For his debut feature, writer-director-cinematographer Mark Jenkin takes a parable about a contemporary fishing community under threat from wealthy outsiders an...

First Trailer for Sundance Hit ‘Hail Satan?’ Gets Devilishly Religious

For many, the Satanic Temple only enters their radar when they make headlines, whether it is suing the producers of Sabrina for using the likeness of their ...

News

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire

Trailers

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Reviews

Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch

Cannes Review: Fatherland Finds Paweł Pawlikowski in a Heady, Aching Register

Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries

Features

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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