The Film Stage - Page 915

First Trailer for Quentin Tarantino’s ‘Once Upon a Time in Hollywood’ Goes Back to 1969

Looking at the summer movie slate, near the top of our most-anticipated list (alongside another Brad Pitt-led film) is Quentin Tarantino's Once Upon a Time ...

Review: ‘Ramen Shop’ is a Lightweight, Hunger-Inducing Ode to Culinary Delights

The young chef Masato, played by Japanese actor Takumi Saitô, gets home after a long day at the family-owned ramen restaurant that he works at. First, he tends ...

SXSW Review: ‘Vision Portraits’ is a Personal and Generous Look at Creativity in Darkness

An evocative meditation on sight, cinema, and the tools of filmmaking, Rodney Evans' latest feature documentary Vision Portraits is an intimate and generous loo...

SXSW Review: ‘Yes, God, Yes’ Trades Crude Humor for Sincerity Without Sacrificing Laughs

Similar to last year’s inclusive comedy Blockers–which proved teen girls deserve their own kind of high school sex comedy like the boys have enjoyed for years–Y...

‘Lucy In The Sky’ Trailer: Natalie Portman Goes to Space and Back

After an adventurous 2018 with her sci-fi odyssey Annihilation and ambitious pop star drama Vox Lux, Natalie Portman will head to (or rather, return from) s...

The Film Stage Show Ep. 337 – Transit

We discuss Christian Petzold's Phoenix follow-up....

SXSW Review: ‘The Art of Self-Defense’ Artfully Creates a Hilarious Monster

If Fight Club taught us one thing and one thing only it is to never underestimate the power of a bored single man with nothing to lose. And that is, in some way...

SXSW Review: ‘The Beach Bum’ is Hilarious, But May Cause a Hangover

The latest opus of debauchery from the great Harmony Korine, The Beach Bum continues his more playful streak, full of carefree possibilities while existing in r...

SXSW Review: ‘Pig Hag’ is an Assured Debut Feature That’s Equally Cruel and Sympathetic

Equal parts cruel and sympathetic, Colby Holt and Sam Probst’s Pig Hag is a shocking indie debut occupying the psychological space of Jodie (Anna T Schlegel), a...

New to Streaming: ‘If Beale Street Could Talk,’ ‘They Shall Not Grow Old,’ ‘Triple Frontier’ & More

All the newly streaming films of Netflix, Amazon, MUBI, and more....

News

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire

Trailers

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Reviews

Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch

Cannes Review: Fatherland Finds Paweł Pawlikowski in a Heady, Aching Register

Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries

Features

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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