Golden Years, written by Petra Volpe and directed by Barbara Kulcsar, is an incredibly simple, comfortable piece of work. It concerns the plight of a long-marr...
I entered Asphalt City at last year's EnergaCAMERIMAGE festival with nothing but morbid curiosity. Having engendered some rank responses from its Cannes premie...
The kind of movie made to stumble upon surfing cable at 2 am in a half-awake, half-intoxicated stupor, Ethan Coen’s Drive-Away Dolls aims for a lower artistic ...
The best bit of dialogue from any iteration of Dune was not written by Frank Herbert, but it so perfectly distilled the absurd wonder of his magnum opus that y...
Almost certainly settling what'll be the greatest animated feature to play theaters this year, GKIDS will grant a new release to The End of Evangelion, Hideaki...
In Andrei Tarkovsky’s penultimate film Nostalghia (1983), which he co-wrote with Michelangelo Antonioni’s longtime collaborator Tonino Guerra, Russian writer A...
One of the most singular viewing (and listening) experiences of the year, the documentary The Tuba Thieves explores what it means to listen and how sound––part...
One of the long-awaited crown jewels of silent cinema will be seen in its full glory soon. For nearly two decades work has been underway to restore Abel Gance'...
Originally set for a release last fall, Luca Guadagnino's Challengers was delayed to this April due to the strike, a move which now affords them some promotion...
If you haven't been following him on Twitter, David Krumholtz has been one of the very few reasons to stay up to date on the happenings of that godforsaken sit...