Of all the great deadpan, acerbic realists that the Romanian cinema has thrown our way in the last twenty years, Corneliu Porumboiu has always been the best at ...
Premiering nearly three decades ago, Paris Is Burning was one of the most influential documentaries of the 1990s, spotlighting ballroom culture in all its g...
When Austrian farmer Franz Jägerstätter (August Diehl) glances skyward and calls for God to show him a sign, to guide him, what does he hear? The rumbling of a ...
There's perhaps no genre Danny Boyle can’t work within. On the opposite spectrum from his darker works, Yesterday is a flawed yet mostly effective light and flu...
Akiko’s Buddhist hostel has a message for its visitors, a laminated card sitting on a window sill: “Leave no trace, no face. In fact, leave only a presence, a f...
The new film Les Misérables may take only passing glances to Victor Hugo's text but it does boast a synopsis worthy of the sheer exuberance of that ti...
The last film legendary Japanese ultra-violence auteur Takashi Miike brought to Cannes' Directors' Fortnight (Yakuza Apocalypse, 2015) featured a character that...
Pedro Almodóvar, the punk chronicler of post-Francoist Spain, turns inwards for his 21st feature Pain and Glory, which arrives in competition at Cannes as a sum...
