The Film Stage - Page 892

Cannes Review: ‘Port Authority’ is a Quietly Radical, Deceptively Simple Romance

A deceptively simple romance doesn’t take away that there is something quietly radical at work in the New York love story Port Authority, set in the underground...

‘Rolling Thunder Revue’ Review: Martin Scorsese Playfully Returns to Bob Dylan’s World

Martin Scorsese has had a long, fruitful partnership with rock ’n’ roll as muse, subject, and accompaniment, and one thing at which he’s uniquely skilled is dra...

Anton Yelchin’s Enduring Legacy is Explored in the First Trailer for ‘Love, Antosha’

Anton Yelchin’s untimely death at the age of 27 almost three years ago shocked the world. From Chekov in the rebooted Star Trek franchise to his involvement...

Cannes Review: ‘Zombi Child’ is a Slow-Creeping Horror Satire

Bertrand Bonello’s last film, the terrorism-themed thriller Nocturama, hit headlines as it was released in the wake of Islamic State terror attacks in France. S...

Cannes Review: ‘Joan of Arc’ is Bruno Dumont’s Austere, Mystic Follow-up to ‘Jeannette’

When Jeannette world premiered in Cannes’ Directors’ Fortnight in 2017, Bruno Dumont’s acolytes were left grappling with a taxonomical head-scratcher. Lo and be...

Cannes Review: ‘Invisible Life’ is an Achingly Beautiful Tale of Sisterly Love

Karim Aïnouz’s Invisible Life is a tale of resistance. It hones in on two inseparable sisters stranded in–and ultimately pulled apart by–an ossified patriarcha...

Terrence Malick Begins Shooting New Film ‘The Last Planet’

Three years after production began, Terrence Malick finally premiered his World War II era drama A Hidden Life at Cannes Film Festival, which our own Leonardo G...

Posterized June 2019: ‘The Last Black Man in San Francisco,’ ‘Our Time,’ ‘The Chambermaid,’ and More

We explore the art of the month. June is here with a fantastic collection of poster designs from big studio pictures to small independents looking to standout against them....

New to Streaming: ‘Us,’ ‘Knife + Heart,’ ‘Relaxer,’ ‘The Mustang,’ and More

All the newly streaming films of Netflix, Amazon, MUBI, and more....

‘The Raft’ Review: An Eccentric Experiment at Sea Gets New Life

Marcus Lindeen’s documentary The Raft boasts such a compelling story that it could have easily coasted on its trove of archival materials. In 1973, Mexican anth...

News

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire

Catherine Breillat Sets Next Film With The German Cousin

Trailers

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Nostalgia for the Future Exclusive Trailer: Charlotte Rampling Travels Through Chris Marker’s World in Cannes Premiere

Reviews

Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries

The Wizard of Kremlin Review: An Irrelevant, Cynical Approach to Vladimir Putin’s Russian

Cannes Review: Kantemir Balagov’s Butterfly Jam Can’t Find a Rhythm

Features

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

New to Streaming: The Drama, Send Help, Exit 8, and André Is an Idiot

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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