The Film Stage - Page 888

‘Buñuel in the Labyrinth of the Turtles’ Review: A Filmmaker’s Nightmare-Fueled Psychology Gets Animated

Before surrealist legend Luis Buñuel found himself directing multiple films a year during the 1950s on the way to creating French classics like Belle de Jour an...

Locarno Review: The One-Man Thriller ‘7500’ Has Trouble Making a Satisfying Landing

Patrick Vollrath’s 7500 is a one-room, one-man show. It asks you to spend 92 minutes inside the cockpit of an Airbus A319, and in intimate quarters with a young...

New to Streaming: Werner Herzog, ‘Amazing Grace,’ ‘True Stories,’ and More

All the newly streaming films on The Criterion Channel, Amazon, MUBI, and more....

NYC Weekend Watch: Outsider Visions of America, Godard x Pasolini, Lucrecia Martel & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...

Antonio Banderas Embodies Pedro Almodóvar in U.S. Trailer for ‘Pain and Glory’

Spanish maestro Pedro Almodóvar returns this year with Pain and Glory, which found success during its release in Spain and festival debut at Cannes, and wil...

Taika Waititi to Direct ‘Next Goal Wins’ Before ‘Thor: Love and Thunder’

It's been a busy last few years for Taika Waititi. After the one-two-three directorial punch of What We Do in the Shadows, Hunt for the Wilderpeople, and Th...

Shia LaBeouf Digs into the Trauma of His Past in First Red Band Trailer for ‘Honey Boy’

Shia LaBeouf has once again gone meta, starring in (and writing) Honey Boy, a film based on his own experiences with his alcoholic father, played by LaBeouf...

The B-Side – Pierce Brosnan

We dive into the actor’s immediate post-Bond filmography....

First Trailer for ‘The Day Shall Come,’ from ‘Four Lions’ Director Chris Morris

At the start of this decade, Chris Morris released his controversial terrorist dark comedy Four Lions, resulting in a high mark for satire that would follow...

57th NYFF Main Slate Includes Kelly Reichardt’s ‘First Cow,’ Olivier Assayas’ ‘Wasp Network’ & More

Following the announcements that Martin Scorsese's The Irishman, Noah Baumbach's Marriage Story, and Edward Norton's Motherless Brooklyn would occupy the ga...

News

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

The Criterion Channel’s July Lineup Features Harry Dean Stanton, Jonathan Demme, The Prisoner & More

Trailers

New Trailer for The Devils Brings Home Ken Russell’s Restored 1971 Classic

Exclusive Trailer for Film Forum’s Laurel & Hardy Retrospective Celebrates Comedy Titans

Dreams in Nightmares Trailer: Shatara Michelle Ford’s Acclaimed Second Feature Arrives in August

Reviews

Rose of Nevada Review: Mark Jenkin’s Stupefying, Time-Slipping Ghost Story

Maddie’s Secret Review: John Early Shows Total Commitment In Feature Debut

Tribeca Review: Alicia Vikander Gives a Restrained, Layered Performance in The Last Day

Features

10 Years of Nitrate Picture Show: A Religious Experience of What Cinema Can Be

New to Streaming: Two Pianos, The Last One for the Road, Pressure, The Wizard of the Kremlin & More

The Best Movies Now Playing in Theaters

Interviews

“It Was Our Job to Commit”: John Early on the Roman Empire, Paul Verhoeven, and Maddie’s Secret

“I’ve Got No Idea How That Works”: Mark Jenkin on Rose of Nevada

Michael Sarnoski on His Favorite Robin Hood Films and the Character’s Violent Mythology

Podcasts

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

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