While her performance in Bottoms may have gotten the most buzz out of South by Southwest Film Festival last year, Rachel Sennott also brought a dramedy to the ...
Before we can even get on the record, before that most familiar robot warning of “This meeting is being recorded," Frederick Elmes is swapping stories about Al...
The first British feature written and directed by a Black feature did not come, improbably and somehow, until 1976. This alone would make Horace Ove's Pressure...
Ahead of a festival kicking off in just about a month, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, have unveiled...
Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Jenny Nulf to discuss Dev Patel's directorial debut Monkey Man.
Ent...
Rarely do we make note of single-digit seconds' footage, but when it's two films that ranked among our 50 most-anticipated films of 2024––one landing very high...
After rounding out a fruitful festival run that spanned Venice to last month's First Look, Bill Ross IV and Turner Ross’s seventh feature Gasoline Rainbow open...
Is Aggro Dr1ft the future of cinema? Not in any quantifiable, justifiable sense. Does it have anything to say? I admire Harmony Korine using infrared images an...
Outside of perhaps Steven Spielberg and Janusz Kamiński, there may be no director-cinematographer collaboration that's more extensive in modern-day cinema than...
Update: Sony Pictures Classics has reached out to note there was a misprint in their CinemaCon statement and Anya Taylor-Joy is not attached to the film.
Fo...