There's not a lot of time left, but the adoption agency working with John (James Norton) is doing their best to maintain his belief that they will find the rig...
Jia Zhang-ke could fairly claim to be the most important filmmaker of his generation; he'd probably be the last person to do so. Audiences tend to scan Jia’s w...
105 years ago this year, the birth of Black independent cinema commenced when Oscar Micheaux released his silent feature The Homesteader. While that 1919 film,...
It's at least autumn before we see Jim Jarmusch's first film in five years, but his latest contribution is larger than most can manage: Sqürl, his musical outf...
The summer season is upon us and, per each year, we’ve dug beyond studio offerings to present an in-depth look at what should be on your radar. From festival w...
To paraphrase former White House Chief of Staff Tom Card, whispering in the ear of George W. Bush: a second Cronenberg offspring has made a movie. Whereas her ...
Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Ryan McNeill to discuss Alex Garland's Civil War.
Enter our giveawa...
Following a premiere at last year's SXSW, writer-director-star Kit Zauhar's acclaimed second feature This Closeness is now arriving this summer after an extens...
While Hayao Miyazaki deservedly took home the Oscar for The Boy and the Heron, another nominee is well worth your attention. Pablo Berger's Cannes favorite Rob...
“If you hear a fire alarm, take it seriously,” the woman at the podium announced. “Proceed calmly, but exit swiftly.
This was a step beyond the standard “pu...