Following a festival tour, Noah Schamus' directorial debut Summer Solstice will, fittingly, be arriving this summer from Cartilage Films, the indie distributor...
Safe to say Drive My Car's success wouldn't have reached its historic heights sans Eiko Ishibashi, whose musical contributions acted as both complement and cou...
One of our early favorites of 2024, Kelly O’Sullivan and Alex Thompson’s Saint Frances follow-up Ghostlight premiered at Sundance and stopped by SXSW before co...
2024 marks 40 years since experimental filmmaker Lynne Sachs took her first video class at DCTV, and in celebration, DCTV's Firehouse Cinema in NYC will be pre...
It's now been over 600 days since the world's most forward-thinking filmmaker, Jean-Luc Godard, left this world, but the icon of the French New Wave and beyond...
Update: Greta Lee has replaced Sandra Hüller in the film, Deadline reports.
In the six years since his accomplished narrative directorial debut Diane, we've...
I've predicted Megalopolis, anticipated as it is, will have a clear dividing point: the cultural commentariat hoping to see "another film by the director of Th...
Rarely does film news engender such outcry as word of Netflix cancelling David Lynch's animated feature Snootworld––and understandably so––but I'm far more inc...
Although John Carpenter's primarily worked in (and forever defined) sci-fi and horror pictures, the man has long loved noir. (Never forget Harry Dean Stanton b...
May's artwork looks pretty good. It's the first month in a while that I feel like I had to leave some worthy pieces out. That's hopefully a positive si...