With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
For our most comprehensive year-end feature we're providing a cumulative look at The Film Stage's favorite films of 2020. We've asked contributors to comp...
In a year marked by a stagnant box office and distributors experimenting with a wide variety of releases, what does an overlooked film constitute? While there ...
Our year-end coverage continues with a look at the best performances of the year. Rather than divide categories into supporting or lead or by gender, we've wri...
It's funny to think that streaming services like Netflix didn't bother creating posters for their original work a few years back knowing they'd never have to c...
Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that the...
From The Father to Dick Johnson Is Dead to Falling to Minari, 2020 has been an exemplary year for films exploring all facets of fatherhood. Premiering at Slamd...
Along with making one of the best films of the year himself with The Human Voice, which will get a proper release this March, Pedro Almodóvar had the chance to...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan and Michael Snydel are joined by Glenn Heath Jr. to discuss Christopher N...
Following its premiere nearly a year ago at Sundance Film Festival, Promising Young Woman, like many other films in 2020, found itself getting rescheduled due ...