The Film Stage - Page 437

Fantasia Review: Agnes is Not Your Mother’s Exorcism Movie

Agnes begins how any other possession film might––with the discovery of a demonic presence. When the convent of Saint Theresa fear there’s evil inhabiting the ...

Locarno Review: Public Toilet Africa is a Rebellious, Picaresque Road Trip Through Ghana

Impeccably dressed, eyes shielded by sunglasses and arms dangling from the windows of their Nissan pickup, Ama (Briggitte Appiah) and Sadiq (David Klu) breeze ...

MUBI Unveils September 2021 Lineup

The U.S. lineup for films coming to MUBI this September has been announced, featuring some of my personal favorites of the last few years, notably Philippe Les...

Sparks on Annette, Polarizing Reactions, Leos Carax’s Vision, and Their Next Film

My years of Sparks evangelizing found a strange wellspring in 2021. What began with Edgar Wright's delightful, career-spanning The Sparks Brothers found its fu...

NYC Weekend Watch: Buñuel Double, The Hourglass Sanatorium, Persona & More

Paris Theater To mark their return, a frighteningly stacked weekend: Get Out Your Handkerchiefs and Mort Rifkin favorite A Man and a Woman on Friday; Buñuel...

New to Streaming: Annette, The Green Knight, Cryptozoo, Stillwater, and More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

Reminiscence Review: Hard-Boiled Sci-Fi Noir Carries the Right Mix of Nostalgia

Despite being an amalgamation of virtually every elevated science-fiction movie of the past four decades—Strange Days, Eternal Sunshine of the Spotless Mind, M...

Sweet Girl Review: Jason Momoa-Led Thriller Serves Up Engaging Action, Heavy-Handed Twists

Sweet Girl finds Jason Momoa and all of his mammoth screen presence in John Q mode. Directed by his longtime collaborator Brian Andrew Mendoza, the Aquaman sta...

Neill Blomkamp on Virtual Spaces, the Aesthetic Possibilities of Video Games, and Pivoting Genres with Demonic

Although we weren’t crazy about Neill Blomkamp’s Demonic, the South African director remains one of the more exciting talents in genre filmmaking today. Betwee...

Locarno Review: Belle is a Dazzling Near-Future Tech Fantasia From Mamoru Hosoda

If a name can trigger nostalgia, don’t be surprised when the occasional sense of deja vu sets in while watching Belle, a dazzling near-future tech fantasia wra...

News

First Look at Lynne Ramsay’s Die, My Love Featuring Jennifer Lawrence and Robert Pattinson

December on the Criterion Channel Includes Bob Dylan, John Waters, MTV & More

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

The Best Movies Now Playing in Theaters

The Film Stage’s 2024 Holiday Gift Guide

New to Streaming: A Different Man, The Outrun, My Old Ass, Used Cars & More

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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