With nearly every feature film at the 2022 Sundance Film Festival reviewed, it's time to wrap up the first major cinema event of the year. We already got the o...
A selection at Cannes, TIFF, NYFF, Busan, IDFA, DOC NYC, and many more, Payal Kapadia's directorial debut A Night of Knowing Nothing is one of my early favorit...
Following his serenely stunning drama Columbus, video-essayist-turned-director Kogonada headed to the future with After Yang. A gorgeous, moving drama about wh...
Writer-director Aly Muritiba said something very interesting about his new film Private Desert in the lead-up to its Venice debut. He spoke about a desire for ...
What can we glean from three minutes of film shot in 1938? This is the question driving Three Minutes — A Lengthening, an engaging essay film from director Bia...
Riotsville isn’t just a place. It’s an idea; a fiction written by the enforcers of order to “demonstrate the presence of a superior force.” Riotsville is porta...
Alice, the debut feature of writer-director Krystin Ver Linden, has a major pacing problem. Based on true accounts, it concerns Alice (Keke Palmer), a woman en...
With Sundance Film Festival now in the rearview, all sights are set on the Berlin International Film Festival when it comes to getting a new batch of the year'...
Dual, the third feature from writer/director Riley Stearns, follows a young woman named Sarah (Karen Gillan), who opts to be replaced with a “double” after fin...
Enacted during Prohibition—and the Harlem Renaissance—the New York City Cabaret Law made it so any public establishment that served food and/or drink needed a ...