Having only directed five films across thirty years, the wait for a new Baz Luhrmann feature is usually a long one. For his sixth feature, Elvis, this break ha...
The falsified myth of the overnight success is further solidified in jeen-yuhs: A Kanye Trilogy, a three-part, nearly five-hour documentary by Coodie & Chi...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
A retrospective of the invaluable Jonas Mekas has begun.
Film ...
In the late 1950s newly elected President of Brazil Juscelino Kubitscheck ordered the country’s capital be moved from Rio de Janeiro toward a more central loca...
Spotting COVID-era ephemera was novel in the films of 2021—even in some of the best. As early as last February we saw masks being worn, some pointedly below th...
With her forceful feature debut Playground, Laura Wandel takes an intimate, intense look at the intricacies of abuse at school from a child's point of view. Fo...
Ethan (Wyatt Oleff) doesn't have to say anything when he appears at his brother Derek's (Fin Argus) work unannounced. They've gone through this too many times ...
Raised by his grandmother after his parents' deaths, Ugyen (Sherab Dorji) is considered lucky by his friends. He became a teacher and is just one year away fro...
A couple of Criterion's May releases are all about encroaching fear, so we won't make you think about the fact that when these arrive 2022 will be in sight of ...
After making a splash with his nifty single-location romantic thriller The One I Love, Charlie McDowell’s follow-up The Discovery came and went quickly. But hi...