The Film Stage - Page 366

Berlin Review: Super Natural Delivers Beautiful Sentiments with Cyclical Redundancy

Less a film than an experience, Jorge Jácome's Super Natural is the kind of work that only achieves the sort of transcendence it aspires towards if the viewer ...

Dear Mr. Brody Trailer Uncovers the Peculiar Tale of a Hippie Millionaire Who Wanted to Give Back

Not in fact a documentary about one of our most erudite film critics, Dear Mr. Brody uncovers the peculiar true tale of a hippie millionaire who wanted to give...

First Look at Cillian Murphy in Christopher Nolan’s Oppenheimer

With production getting underway on Christopher Nolan's Oppenheimer—and as a bid to get ahead of the paparazzi sure to swarm the set—Universal Pictures have un...

U.S. Trailer for Radu Muntean’s Întregalde Explores Horrors of Humanity in the Transylvanian Forest

A selection at Cannes, TIFF, and NYFF, Romanian filmmaker Radu Muntean's latest work Întregalde plays with notions of genre trappings to tell a grounded story ...

Martin Scorsese’s Killers of the Flower Moon Will Be Released in November

We are now in the year of a new Martin Scorsese film. Following up The Irishman, the director embarked on another epic production, an adaptation of David Grann...

Adam Sandler Hits the Court in First Trailer for Hustle, From We the Animals Director Jeremiah Zagar

With Murder Mystery 2 now filming, Adam Sandler is brilliantly still letting Netflix pay for his on-location vacations, but in a post-Uncut Gems world the star...

Berlin Review: Denis Côté’s That Kind of Summer Shines a Light on Hypersexuality

Denis Côté is a weird kind of humanist, arriving at that angle from an offbeat starting point. Maybe the key to his work thus far is his short, powerful 2012 d...

The Criterion Channel’s March Lineup Includes Sophy Romvari, Pasolini, The Age of Innocence & More

Rarely one finds a friend on the Criterion Channel—discounting the parasitic relationship we form with filmmakers, I mean—but it's great seeing their March lin...

Kyle Buchanan on Documenting the Wild Creation of Mad Max: Fury Road in Blood, Sweat & Chrome

“My name is Max. My world is fire and blood.” So began George Miller’s Mad Max: Fury Road, a modern masterpiece that is as daring, audacious, and immaculately ...

The B-Side – In Conversation with Joe Wright

Hello everyone, welcome to the B-Side Podcast for The Film Stage where we talk about movie stars and filmmakers – not the movies that made them famous or kept ...

News

Criterion Collection’s February 2025 Lineup Features Paul Thomas Anderson, Jean-Luc Godard, Crossing Delancey & More

Exclusive: New Restoration of Queer Drama By Hook or By Crook Acquired by Altered Innocence for Spring 2025 Release

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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