The Film Stage - Page 356

Vortex Trailer: Gaspar Noé Returns to Devastate You

After exploring sex and drugs with Love and Climax, respectively, Gaspar Noé is here devastate you with a look about the one thing we are all guaranteed to fac...

New to Streaming: Lingui, the Sacred Bonds, Cyrano, Turning Red, and More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

The B-Side – 2022 Oscars Special (with Joe Reid)

Welcome to The B-Side, from The Film Stage. Here we usually talk about movie stars and not the movies that made them famous or kept them famous, but the ones t...

NYC Weekend Watch: Jane Campion, Bitter Moon, The Servant & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Paris Theater An all-35mm Jane Campion retrospective is underway, with the director pres...

U.S. Trailer for The Girl and the Spider Brings One of 2022’s Best

More than a year since its Berlinale premiere is The Girl and the Spider coming to U.S. shores. Ramon and Silvan Zürcher's follow-up to The Strange Little Cat ...

Nationwide Theatrical Tour for Apichatpong Weerasethakul’s Memoria Announced

Apichatpong Weerasethakul’s long-awaited Memoria, starring Tilda Swinton, finally premiered at Cannes Film Festival last year to a rapturous response. Then, in...

7 Films to See at MoMI’s First Look 2022

Now in its 11th edition, the Museum of the Moving Image's First Look festival brings together a varied, eclectic lineup of cinema from all corners of the world...

All My Friends Hate Me Review: A Psyche Unravels in Pitch-Black Comedy

Pete (Tom Stourton) hasn't seen his university mates in years. Ten years to be exact. It happens. Life happens. We reach adulthood, mature, and set goals for o...

The Adam Project Review: The Netflix Algorithm Spews Out Hollow, Formless Sci-Fi Adventure

The Adam Project, the latest big-budget Netflix release you likely haven’t heard of until now, opens with a bit of text explaining that “Time travel exists. Yo...

Offseason Review: Mickey Keating Crafts an Effective Tale of Suspense and Uncertainty

When your dementia-riddled mother starts screaming about nightmares following her and demons crawling out from the water, it doesn't matter how lucid she appea...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

NYC Weekend Watch: “Silent” Movies, Godzilla & More

17 Films to See in November

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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