The Film Stage - Page 354

The Film Stage Show Ep. 465 – Turning Red (with Jazz Tangcay)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham are joined by Jazz Tangcay to discuss Domee ...

New to Streaming: The Worst Person in the World, Deep Water, Windfall & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

Windfall Review: A Subversive, Slightly Undercooked Throwback Three-Hander

From the old school ‘50s-era opening titles, you can feel what tone Charlie McDowell’s Windfall is going for. The director’s third feature plays up the Hitchco...

Radu Muntean on Întregalde, Humanitarian Hypocrisy, and the Mysteries of Nature

Romanian filmmaker Radu Muntean’s latest work, Întregalde, expertly plays with genre trappings to tell a grounded story of humanitarian impulses gone awry. Set...

The Criterion Collection’s June Lineup Includes Pink Flamingos, The Worst Person in the World, 4K Shaft & More

Hard to believe we're forecasting June, but rather than get into all that I'll say it's been nice seeing Criterion's 2022 lineup come into shape—a proper mix o...

SXSW Review: A Woman on the Outside is a Powerful Doc About Disrupting the System

When a family member is sentenced to prison it’s often their family that “does the time”—having one less mother, father, brother, sister to raise a child. This...

Exclusive Trailer for Srdan Golubović’s Berlinale Winner Father Captures a Journey of Perseverance

Premiering at Berlinale in 2020, where it picked up the Panorama Audience Award, Srdan Golubović's Father (aka Otac) is now set for a theatrical release beginn...

Writing with Fire Review: Inspiring Documentary Examines Courage Under Fire

It's sometimes easy to forget white supremacy is deeply rooted in religion, race being such a major component of its rise in America. Watching a film that depi...

NYC Weekend Watch: Kinuyo Tanaka, Lynchian, Mr. Klein, Manhunter & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln Center A regular performer for Ozu, Mizoguchi, and Naruse, Kinuyo Tanaka...

Deep Water Review: The Erotic Thriller is Resurrected with Lurid, Unabashedly Horny Abandon

The tale of Deep Water’s production and release could have easily overshadowed the film itself. Marking the return of Adrian Lyne (Fatal Attraction, 9 ½ Weeks)...

News

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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