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[Cannes Review] Dog Eat Dog

Paul Schrader might want to consider expanding his thematic scope a little. Decade after decade, film after film, regardless of whether he’s been writing script...

[Cannes Review] The Neon Demon

The problem in trying to critically assess Nicolas Winding Refn’s putrid atrocity of a film The Neon Demon is that regardless how much outrage is thrown at it, ...

[Cannes Review] I, Daniel Blake

It’s been two years since Ken Loach took Jimmy’s Hall -- a rather muted film by his standards, rumored at the time to be his swansong -- to the Competition here...

[Review] X-Men: Apocalypse

The tragedy of the X-Men films is that, despite being responsible for the current boom-industry of comic-book films, they have almost uniformly felt like second...