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[Review] Bad Moms

Subversive in passages, Bad Moms is a fairly paint-by-numbers affair with all the beats that years of test audiences have told Hollywood they need to include, f...

[Review] Lights Out

A solid hook is one of the biggest factors in what makes a successful film pitch. This doesn’t guarantee a film will end up being good, but it’s a place that ca...

[Review] The Shallows

The sun is shining on a pristine, secluded beach -- a kind of cove consisting of white sand, a coral reef, and an outlying island that looks like a woman in rep...

[Review] Clown

Inside Out notwithstanding, it’s been awhile since cinema attempted to make clowns scary again, or at least use them as the central focus of a horror piece. Che...

[Review] Finding Dory

The ocean is a big, diverse setting for a movie, consisting as it does of environments both brutal and beautiful. In Finding Nemo, one of its most celebrated fi...

[Review] The Blackcoat’s Daughter

Osgood Perkins’ debut feature, The Blackcoat’s Daughter - originally known as February at its premiere at TIFF last year - is a stylish exercise in dread, teas...