The Film Stage - Page 338

Ken Loach Will Begin Shooting Next Film The Old Oak This Month

Around the release of Jimmy's Hall in 2014, Ken Loach announced his retirement, but thankfully it was short-lived as he returned with I, Daniel Blake, which we...

John Woo to Direct Reimagining of The Killer, Arriving on Peacock Next Year

Update: Omar Sy will lead the film, Deadline reports. After two decades of working back in his native country of China, action master John Woo's return to H...

Benny Safdie and John C. Reilly Revealed to Be in Claire Denis’ Stars at Noon

Following the premiere of her stellar first film of 2022, Both Sides of the Blade, we're now just a few weeks away from the debut of Claire Denis' The Stars at...

Memory Review: Liam Neeson’s Latest Thriller is Decidedly Undercooked

It all started in January 2009. The movie? Taken. The movie star? Liam Neeson. That surprise hit created a new, palpable career path for the Irish thespian. Si...

Anaïs in Love Review: A Breezy, Bright Romance Bursting with Energy

The seasons have changed––spring is here, summer is on the way, and no film out right now better exudes the aura of love in the sunshine than Charline Bourgeoi...

Daniels on Directing as a Duo, Soulmates, and Embracing the Chaos of Everything Everywhere All At Once

Everything Everywhere All At Once has become a cultural phenomenon. Adored by critics and audiences alike, it’s one of the few films of the pandemic era that s...

New to Streaming: Ambulance, Gagarine, The Wobblies & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

NYC Weekend Watch: Robert Downey Sr, Chantal Akerman, Celine and Julie & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Anthology Film Archives Robert Downey Sr's best-known films—some of the funniest ever ma...

Black Box Review: Smart Thriller Undone By Convoluted Solemnity

Even for the twisty paranoid thriller sub-genre, there is a whole lot going on in Yann Gozlan's Black Box. Not boring yet not quite enveloping, the film never ...

Anaïs in Love Director Charline Bourgeois-Tacquet on Cassavetes, Capturing Vitality, and Setting a Tone

Immediately setting a buoyant, vibrant tone that carries through the rest of the film, Charline Bourgeois-Tacquet’s Anaïs in Love makes one of 2022's finest de...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

17 Films to See in November

The Best Movies Now Playing in Theaters

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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