The Film Stage - Page 337

Florence Pugh Wants to Break Free in First Trailer for Olivia Wilde’s Don’t Worry Darling

Following up her directorial debut, the coming-of-age comedy Booksmart, Olivia Wilde is expanding her scope to quite an extent with Don't Worry Darling. Reteam...

Cannes Classics 2022 Lineup of New Restorations Unveiled

As exciting as the new films premiering at Cannes Film Festival is its Classics section, featuring new restorations as well as documentaries spotlighting film ...

Ken Loach Will Begin Shooting Next Film The Old Oak This Month

Around the release of Jimmy's Hall in 2014, Ken Loach announced his retirement, but thankfully it was short-lived as he returned with I, Daniel Blake, which we...

John Woo to Direct Reimagining of The Killer, Arriving on Peacock Next Year

Update: Omar Sy will lead the film, Deadline reports. After two decades of working back in his native country of China, action master John Woo's return to H...

Benny Safdie and John C. Reilly Revealed to Be in Claire Denis’ Stars at Noon

Following the premiere of her stellar first film of 2022, Both Sides of the Blade, we're now just a few weeks away from the debut of Claire Denis' The Stars at...

Memory Review: Liam Neeson’s Latest Thriller is Decidedly Undercooked

It all started in January 2009. The movie? Taken. The movie star? Liam Neeson. That surprise hit created a new, palpable career path for the Irish thespian. Si...

Anaïs in Love Review: A Breezy, Bright Romance Bursting with Energy

The seasons have changed––spring is here, summer is on the way, and no film out right now better exudes the aura of love in the sunshine than Charline Bourgeoi...

Daniels on Directing as a Duo, Soulmates, and Embracing the Chaos of Everything Everywhere All At Once

Everything Everywhere All At Once has become a cultural phenomenon. Adored by critics and audiences alike, it’s one of the few films of the pandemic era that s...

New to Streaming: Ambulance, Gagarine, The Wobblies & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

NYC Weekend Watch: Robert Downey Sr, Chantal Akerman, Celine and Julie & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Anthology Film Archives Robert Downey Sr's best-known films—some of the funniest ever ma...

News

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Yokohama BJ Blues Makes U.S. Theatrical Premiere on November 11 from Amnesiascope

Trailers

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Raoul Peck Investigates a Photographer Pioneer in First Trailer for Ernest Cole: Lost and Found

Reviews

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

AFI Fest Review: My Favourite Cake Finds an Autumnal Romance Blooming Under Iranian Authoritarianism

NYFF Review: On Becoming a Guinea Fowl is a Powerfully Enraging, Surreally Comedic Look at Zambian Tradition

Features

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

New to Streaming: Trap, One False Move, Rap World, Daaaaaalí!, The Remarkable Life of Ibelin & More

NYC Weekend Watch: Shadows of Forgotten Ancestors, Candy Mountain, Chantal Akerman, Azazel Jacobs & More

Interviews

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

“100 Clichés Move Us”: Rumours Directors Guy Maddin, Evan Johnson & Galen Johnson on Finding Humor in a World in Crisis

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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