The Film Stage - Page 330

The Film Stage Show Classic – The Secret of NIMH

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham discuss The Secret of NIMH and the films of ...

Cannes Review: Jerry Lee Lewis: Trouble in Mind Finds Ethan Coen Hitting a Bum Note

In 2021 Joel Coen directed his first feature apart from his brother. Seven months after The Tragedy of Macbeth's premiere, it’s Ethan’s turn to fly solo. The p...

Exclusive Trailer for João Pedro Rodrigues’ Musical Fantasy Will-o’-the-Wisp, Premiering at Cannes 2022

Six years after his evocative character study The Ornithologist, Portuguese director João Pedro Rodrigues is returning with a new feature. The 67-minute Will-o...

Cannes Review: Three Thousand Years of Longing is Another Ambitious Swing for George Miller

In Three Thousand Years of Longing, an introverted historian (as if there's another kind) meets a genie. The historian is played by a bespectacled Tilda Swinto...

Ethan Hunt Returns in First Trailer for Mission: Impossible – Dead Reckoning Part One

The last action franchise––or perhaps Hollywood franchise, in general––worth giving a damn about is finally returning next summer. After a few pandemic-related...

James Gray Says Hollywood is Destroying the Cultural Impact of Movies—But He Has a Fix

A new film from James Gray also means new interviews with one of filmmaking's most brilliant minds. Following the premiere of his autobiographical drama Armage...

Cannes Review: Triangle of Sadness is a Scatological Rinsing of Wealth and Hubris

Ruben Östlund might like his fish in a barrel but he's a ruthless shot. Following a Palme d'Or win for The Square, the Swedish filmmaker returns to Cannes in c...

David Bowie is Waiting in the Sky in the First Trailer for Brett Morgen’s Moonage Daydream

In a trailer that sells an experience more like 2001: A Space Odyssey than your standard music documentary, the first look at Brett Morgen's David Bowie specta...

Cannes Review: Arnaud Desplechin’s Brother and Sister is a Furious Melodrama

It is lonely being an Anglophone Arnaud Desplechin fan, let alone one based in the U.K. A strong cult generated in the aftermath of his '00s arthouse hits King...

Cannes Review: War Pony Marks a Strong Directorial Debut for Riley Keough and Gina Gammell

There are 574 federally recognized Native American tribes in the United States. South Dakota is home to nine, the majority of which lie on the western half. Al...

News

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Trailers

Billy Zane Transforms into Marlon Brando in First Trailer for Waltzing with Brando

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Reviews

Riga Review: Saulė Bliuvaitė’s Locarno-Winning Toxic Will Worm Its Way Inside You

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Life Is Worth Celebrating”: Tyler Taormina on Christmas Eve in Miller’s Point

Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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