The Film Stage - Page 322

Tribeca Review: Chop & Steele is a Hilarious Buddy Comedy of Joyful Chaos

A random VHS tape of a Mcdonald's janitorial training video serves as ground zero for Joe Pickett and Nick Prueher’s lifelong obsession with obscure video clip...

Tribeca Review: Attachment is Darkly Humorous Horror Set in an Orthodox Jewish Community

Leah's (Ellie Kendrick) reasons for being in Denmark are purely academic. At least, that's what she tells former actress Maja (Josephine Park) upon meeting by ...

Tribeca Review: A Wounded Fawn Finds a Serial Killer Getting More Than He Bargained For

This weekend is supposed to be a rebirth for Meredith (Sarah Lind). After battling the demons of an abusive relationship, she's accepted an invitation of roman...

Tribeca Review: Angelheaded Hipster: The Songs of Marc Bolan & T. Rex Celebrates a Rock Icon Ahead of the Curve

It has been nearly 45 years since the death of Marc Bolan, a.k.a., T. Rex., at the shockingly young age of 29. Yet five decades after the heyday of glam rock, ...

Wong Kar Wai Has Recreated the Scent of In the Mood for Love for New Limited Collection

As post-production continues on Blossoms Shanghai, Wong Kar Wai has been dabbling in NFTs and, once again, revisited In the Mood for Love—this time not with hi...

Celebrate Julee Cruise with David Lynch’s Concert Film Industrial Symphony No. 1

Some time since a celebrity death hit like Julee Cruise. Though rightfully known and loved for her appearances in Twin Peaks—series, film, series again—her wor...

Phil Tippett on Realizing His Decades-Long Passion Project Mad God

Something that genuinely can be described as a passion project, the new stop-motion animated film, Mad God has been with legendary visual effects artist Phil T...

Tribeca Review: The Integrity of Joseph Chambers is a Timely Portrait of Radicalized Masculinity

If the apocalypse comes, we’re all screwed. Fancying himself a survivor with a desire to provide for his family should “things go south," Joe (Clayne Crawford)...

Aki Kaurismäki to Shoot Next Feature Dead Leaves This Summer

After a prolific burst of work in the 80s and 90s, Aki Kaurismäki has taken his time this century, developing films for a number of years. Following his stella...

NYC Weekend Watch: Abel Ferrara Fest, Shochiku Studios, Kagemusha & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy Cinema Three by Abel Ferrara—Mary, Go Go Tales, and The Funeral—are on 35mm while t...

News

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Trailers

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Reviews

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Paddington in Peru Review: Threequel Fails to Climb to Franchise Heights

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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