Alien has been Disney-fied. It hasn't been softened or sanitized for a younger audience. It has instead been tweaked and studio-noted to mollify executives, un...
Among the rare class of truly buzzy thrillers is Sleep, a South Korean feature with a debut director (Jason Yu), international star (Parasite's Lee Sun-kyun), ...
Following the Main Slate announcement, the 62nd New York Film Festival has unveiled its Spotlight section. Taking place September 27-October 14, the festival h...
Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Bryan Kluger to discuss Osgood Perkins' Longlegs.
Enter our giveawa...
After directing two features last year with Perfect Days and Anselm, there's no better time to revisit Wim Wenders' crowning achievement. His serene 1984 Palme...
After starring in five films and eleven TV series last year, Ayo Edebiri's 2024 is just slightly less crazy. Following up The Bear and Inside Out 2 this summer...
September marks Marcello Mastroianni's centennial, and the Criterion Channel pays respect with a retrospective that puts the expected (Fellini, Visconti, Divor...
Memories can be slippery things. Take what happens around the halfway point of Laurynas Bareiša's beguiling second feature: two women––more specifically Ernest...
How does culture survive in the midst of a war? Rule of Two Walls––written, directed, and edited by David Gutnik––asks the question and attempts to answer it. ...
A year since Do Not Expect Too Much from the End of the World amused us so, Radu Jude has now unveiled two new experimental found-footage films in Locarno. And...