Kiyoshi Kurosawa is having quite the year. Chime, a mid-length chiller, was a standout at the Berlinale. A French-language remake of his own Serpent’s Path wil...
Nicolas Winding Refn's produced so much material these last ten years––Copenhagen Cowboy's five hours are slim compared with Too Old to Die Young, which I susp...
Boosted by Locarno-awarded debut Instinct, Dutch actor-director Halina Reijn fit nicely in the A24 canon with her satirical thriller Bodies Bodies Bodies. Yet ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Brooklyn Center for Theatre ResearchMy screening series Amnesiascope partners again with Ro...
James Ivory has made so many films. And of the forty-plus he’s made––nearly everything under the Merchant Ivory Productions banner––many are masterpieces. Trul...
Recently featured on our fall movie preview, Memoir of a Snail marks the long-awaited return to feature filmmaking from Adam Elliot, director of 2009's Mary &a...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Welcome to a new episode from The Film Stage! It’s not The Film Stage Show. It’s not The B-Side! It’s something else! It’s a Box Office Bonanza from The Film S...
After the detour of El Conde, Pablo Larraín returns with a study of opera singer Maria Callas, thus closing out a triptych of films on glamorous women, gilded ...
Whatever pedigree ought to be established as the sole film directed by Marlon Brando, One-Eyed Jacks spent so much time in obscure status and degraded states t...