Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in...
A premiere at Sundance Film Festival earlier this year, Carlota Pereda’s Piggy takes a Carrie-esque look at fighting back at bullies with a horror twist. Set i...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Michael Almereyda's rarely screened and extremely funny Twister plays on 35m...
One of my great memories from the, put one way, debatable year of 2020 was Criterion Channel's "'70s Horror," a program that did what it said on the tin while ...
Update: a second preview has been provided to us by Cinea and Foundation Chantal Akerman. Find it and the original trailer below.
Though long a rare object,...
Breathless reporting on standing ovations is not the only quantitative metric utilized during film festival season. There's also how many minutes directors sha...
Michael Mann’s films turn on the fulcrum of historical upheaval. Sometimes that upheaval is imminent; sometimes it has already happened. In either case his cha...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr take part in a special Classic episode, disc...
Any movie about the value of movies should be met with a healthy level of skepticism. There’s the obvious amount of self-satisfaction involved (maybe it’s just...
It comes as no surprise to see a film like The Menu come out of a major studio like Searchlight Pictures. Populism has been around for a good while, but it’s h...