The Film Stage - Page 26

New Trailer for Francis Ford Coppola’s Megalopolis Arrives Ahead of IMAX Preview

The excitement of Megalopolis' theatrical trailer was first buoyed by a stance against critical myopia that was then undermined by said myopia being fake. With...

Locarno Review: Courtney Stephens and Callie Hernandez’s Invention Holds a Seductive Power

Grieving comes in many guises. In Courtney Stephens' Invention, speculative fiction blends with personal history to explore the ways we process death. The subj...

Knit’s Island Review: A Mesmerizing Journey Into MMORPG Lives

Early last year, a theory started doing the rounds: if comic-book movies have lost their sheen, might video-game adaptations take their place? Two of the bigge...

Lee Daniels on The Deliverance, Shifting Culture, Douglas Sirk, and That Glenn Close Performance

Lee Daniels wants to do it all. The filmmaker behind Monster’s Ball, Precious, and The Butler has made an endlessly compelling horror movie, The Deliverance, f...

Venice Review: Joker: Folie à Deux Pulls a Prank on Incels and Anarchists Everywhere

In a twist for the ages, the greatest joke of Todd Phillips’ Joker sequel––which contains far fewer punchlines than the first, regardless of how they land––is ...

Rebel Ridge Review: Jeremy Saulnier’s Ruthlessly Efficient Thriller Unleashes a Powder Keg of Rage

A ruthlessly efficient thriller fueled by boiling rage, Jeremy Saulnier’s Rebel Ridge wastes no time setting the stakes. Terry Richmond (Aaron Pierre) is liste...

Venice Review: Alex Ross Perry’s Pavements Both Reinvents and Justifies the Rock Doc

If the Hollywood superhero-industrial complex is perishing, the Rolling Stone and Spin magazine extended universe is hastily being built. What better defines “...

First Trailer for Mike Leigh’s Hard Truths Finds Marianne Jean-Baptiste Searching for Happiness

Among the most-anticipated films on the fall festival circuit is the long-awaited return from Mike Leigh with Hard Truths. Marking a reunion with Secrets &...

Venice Review: Sarah Friedland’s Wonderfully Gentle Familiar Touch Heralds a New Voice

In a sunny kitchen in California, Ruth prepares a sandwich with the muscle memory that only a lifetime allows. Bread is toasted and left to cool; dill is picke...

Venice Review: Harmony Korine’s Baby Invasion Sets a New, Anxiety-Inducing Standard for Cinematic Absurdism

At last year's Venice Film Festival, Harmony Korine took a wild left-turn with Aggro Dr1ft, the first feature from his new production company EDGLRD. The myste...

News

Trailer for Palestine’s Oscar Entry From Ground Zero + Exclusive Poster Giveaway

MUBI’s December 2024 Lineup Includes Dahomey, Bird, The People’s Joker & More

No Other Land Announced as Winner of the 2024 Indie Film Site Network Advocate Award

Trailers

Jacques Demy’s Masterpiece The Umbrellas of Cherbourg Gets New Trailer for 4K Restoration

DIG! XX Trailer: Ondi Timoner’s Cult Classic Rock Doc Gets Expanded Edition This January

Exclusive Trailer for Ben Petrie’s The Heirloom Introduces Acclaimed Rom-Com Psychodrama

Reviews

The Black Sea Review: A Dynamic Lead Performance Drives Familiar Fish-Out-of-Water Story

Thessaloniki Review: When the Light Breaks Showcases a Dawn-to-Dusk Tragedy with Raw Depth

Wicked: Part I Review: Wizard of Oz Prequel Is Stale as Blockbusters Can Be

Features

New to Streaming: Blitz, The Piano Lesson, Flipside, We Live in Time, Alien: Romulus & More

NYC Weekend Watch: Dirty Work, Shelley Duvall, Robert Frank & More

The Best Movies Now Playing in Theaters

Interviews

Rodrigo Prieto on His Directorial Debut, Martin Scorsese’s Snubs, and Taylor Swift’s Feature Debut

Flow Director Gints Zilbalodis on Animating Animals, Allegories, and Cinema vs. Videogames

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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