Contra what feels like all known odds, Francis Ford Coppola's Megalopolis––40 years after he completed an initial draft––opens in one month and one day. Thus a...
A standout at the 2024 Berlinale Film Festival, Canadian director Kazik Radwanski's Matt and Mara reunited him with his Anne at 13,000 ft star Deragh Campbell,...
Those who've followed Nathan Silver and Chris "C. Mason" Wells' careers might find themselves bewildered in recent months. Compelling enough that their latest ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
BAMThe controversial, remarkable The Spook Who Sat By the Door plays in a new restoration.
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Nathan Silver’s Between the Temples takes a stock story––a lonely middle-aged man finds unexpected love––and places it in an unfamiliar context. For ...
Following his Guy Maddin-influenced debut The Twentieth Century, Matthew Rankin has returned five years later with his follow-up. Universal Language, which pre...
Following their intial announcements, the 62nd New York Film Festival has now unveiled its final film section: Revivals, featuring significant works from renow...
The death of the author is the birth of the reader, as we know from post-structuralist thought; then again, there are Hong Sangsoo’s public remarks. A charming...
Over a close-up of a turtle, ominous sound design builds at such a deep frequency that the walls of a press-screening room in Beverly Hills began rattling. Onc...