It’s difficult to keep sending back 12-year-old Claressa Shields (Jazmin Headley) when she’s got more fight in her than any of the boys he’s training, but that...
It’s all about perspective. Six great months living the rest of your life to the fullest or twelve miserable ones trying to survive? Sacrificing present happin...
While we ponder how exactly the fiasco surrounding Todd Haynes' would-be next film is going down in the household of Joaquin Phoenix and Carol star Rooney Mara...
The cinematic arm of the Slum Dwellers International and affiliates’ campaign to expose injustice wrought upon waterfront communities in Nigeria’s largest city...
In just over a decade, Mike Flanagan went from promising indie director to one of the best American genre filmmakers working today. Starting with Absentia and ...
Chatting with the head of a prominent documentary-production company recently, I asked if hybrid filmmaking had reached its natural limit. Could it conceivably...
In this year’s diverse line-up of Venice competition titles, there is one that stands out. A film without any predecessors or useful comparison-companions, a t...
When Nicolás (Henry Golding) wakes from his dream, Daniela (Beatrice Grannò) is gone. It wasn’t some crazy adventure or anything, either. Just the two of them ...
“I’m older––I’m not old,” says Shelley, the longest-term performer in a past-its-prime Las Vegas revue. She is played by Pamela Anderson, the international ico...
Mike Leigh is nothing if not an expert at conceiving (in conjunction with talented actors) a certain kind of larger-than-life character. Well, larger-than-life...