The Film Stage - Page 150

Alex Ross Perry Makes a Fake Pavement Biopic with Range Life Trailer

Six years since his last solo directing feature, Her Smell, Alex Ross Perry returned to the world of rock in a very different way with Pavements. A tribute to ...

In the Lost Lands Review: Paul W.S. Anderson Finds Poetry In the Fantasy Epic

“The world is a vampire” –– Billy Corgan, 1995 Before jumping directly into the action, Paul W.S. Anderson's In the Lost Lands opens with a framing de...

New Directors/New Films Unveils 2025 Lineup

After showcasing work from the likes of Ryûsuke Hamaguchi, Hou Hsiao-hsien, Kelly Reichardt, Pedro Almodóvar, Souleymane Cissé, Jia Zhangke, Spike Lee, Lynne R...

Matías Piñeiro on You Burn Me, Departing Shakespeare, and Hong Sangsoo’s Constant Reinvention

"Focus the text" commands a translation app pop-up at the mid-point of Matías Piñeiro’s new experimental essay film You Burn Me. It’s a mantra that the Argenti...

X-Rated Trailer for Bruce LaBruce’s The Visitor Offers Up an Explicit Game of Seduction

After making a splash with his uncompromising incest drama Saint-Narcisse, underground Canadian filmmaker Bruce LaBruce returned to Berlinale last year with Th...

Exclusive U.S. Trailer for Acclaimed French Thriller The Temple Woods Gang, Coming to NYC on March 12

Named one of the 10 best films of Cahiers du Cinéma back in 2023, Rabah Ameur-Zaïmeche's crime thriller The Temple Woods Gang is finally getting a proper U.S. ...

The Rule of Jenny Pen Review: John Lithgow Torments Geoffrey Rush in Depraved Psychological Horror

Three decades on from Brian De Palma’s gleefully unhinged psychological thriller Raising Cain, John Lithgow has once again found a cinematic role to showcase h...

Paris’ La Clef Revival Comes to New York for Week of Film Screenings; Watch Appreciations from Martin Scorsese and John Carpenter

Wherever you call home, it's hard to be invested in cinephile culture without a mind towards its health. It was hardly some casual choice when Sean Baker took ...

There’s Still Tomorrow Director Paola Cortellesi on Domestic Violence, Global Success, and Drawing From Italian Neorealism

After decades of celebrated performances in Italian cinema and television, Paola Cortellesi made her directorial debut with There's Still Tomorrow, a 1940s-set...

15 Films to See in March

After the relatively barren month of February and the awards season mercifully in the rearview, March finally brings the goods. From some of our favorite festi...

News

James Gray’s Paper Tiger Sets North American Premiere as Opening Night of the 64th New York Film Festival

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

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