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[Sundance Review] In a World…

Sundance Film Festival is a breeding ground for exciting, new talent, with many budding filmmakers first stepping foot into the short film arena. The latest exa...

[Sundance Review] The Kings of Summer

In the post-screening Q&A for the entertaining, free-spirited coming-of-age adventure The Kings of Summer, director Jordan Vogt-Roberts remarked how many co...

[Sundance Review] Blue Caprice

In Blue Caprice, a taut character study of the two men behind the 2002 D.C. Sniper shootings, writer-director Alexandre Moors does an effective job of offering ...

[Sundance Review] A.C.O.D.

Working with a subject matter that at least half of the country can directly relate to, A.C.O.D. (a.k.a. Adult Children of Divorce), starring Adam Scott, works ...

[Review] Movie 43

The day has yet come in which Tom Green’s Freddie Got Fingered has been considered a landmark of surrealism, nor I fear will it for the uneven, half-baked gross...

[Sundance Review] Fruitvale Station

On New Year’s Day 2009, 22-year-old Oscar Grant's life was taken by BART police officer Johannes Mehserle in Oakland, California, leaving behind his longterm gi...

[Sundance Review] Touchy Feely

Something of a Sundance darling, Lynn Shelton mastered the art of the micro-drama with Humpday and Your Sister's Sister, two small indies with high concepts and...

[Sundance Review] I Used To Be Darker

There is an ease at which Matthew Porterfield's I Used To Be Darker moves that is at once aggravating and captivating. Telling the deceivingly simple tale of on...

[Review] Parker

There's an energy to Parker in the violence and kinetic action that is, at times, stunning. Yet, somehow the star of the film is pushed to the side by those ele...

[Review] Hansel and Gretel: Witch Hunters

Fairy tales are a nasty business, and the works of the Brothers Grimm are no exception. The watered down versions readers know now once scared German tots with ...