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[Tribeca Review] Lil Bub & Friendz

Oh, the internet. I wonder if you really have lead to a decrease in my productivity: on one hand, it’s full of almost everything, including cute cats. Then ther...

[Tribeca Review] Lenny Cooke

Lenny Cooke is to basketball as Anvil is to rock-n-roll, and like Anvil, he now has a documentary. A departure for filmmakers Ben and Joshua Safdie who’s previo...

[Tribeca Review] Frankenstein’s Army

Frankenstein’s Army is a B-movie in every sense of the word. Not without laughs, moments of blood, gore and primitive surgery as its name suggests, the film unf...

[Review] Oblivion

Joseph Kosinski's Oblivion opens with images of Jack Harper's (Tom Cruise) memory: black-and-white glimpses of a meeting atop the Empire State Building, the han...

[Review] The Brass Teapot

A few years ago a professor of mine once cautioned that when times get tough, young people are more likely to sell their soul for cash, allowing themselves to b...

[Review] In the House

What happens inside one’s home is sacred. Your skeletons are exposed, carefully manufactured façades rest for the night, and pent up frustrations boil to the su...

[Review] Mental

In P.J. Hogan’s new screwball comedy Mental, the hills are alive with the sound of pathos. The movie may open with Rebecca Gibney having a mentally divergent so...

[Review] Scary Movie 5

The movie theater I frequent has a dine-in option, but how anyone could possibly stomach Scary Movie 5 while eating baked clams is beyond me. I picture open mou...