The Film Stage - Page 132

Emergent City Review: A Resonate Tale of Brooklyn Community Fighting for Their Home

Note: This review was originally published as part of our 2024 Tribeca coverage. Emergent City opens in theaters on April 25. Full transparency: I’ve been t...

Football Fanatics, Nuclear Waste, and Elon Musk’s Phallic Martian Fever Dreams at Visions du Réel 2025

One thing I like to do at a film festival is go for a run. Maintaining the sense of a bubble at these things can be crucial: once entered, it’s best to remain ...

On Swift Horses Review: An Endearing Melodrama With an Alluring Ensemble

Note: This review was originally published as part of our 2024 TIFF coverage. On Swift Horses opens in theaters on April 25. It's been some time since we've...

No Other Land Now Available to Watch at Home for a Limited Time in Support of Masafer Yatta Communities

The most essential, vital documentary of the last year, Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor’s No Other Land, is now finally availabl...

Caught by the Tides Trailer: Jia Zhangke’s Decades-in-the-Making Masterpiece Opens This May

His first narrative feature in six years, featuring footage collected over some two decades, Jia Zhangke's Caught by the Tides is one of the filmmaker's greate...

The Legend of Ochi Review: A Simple Fantasy with Incredible Craftsmanship and Performances

The Legend of Ochi, written and directed by Isaiah Saxon, is a lovely adventure built on imagination and skill. It certainly feels like the kind of film that w...

The Wedding Banquet Review: Andrew Ahn Crafts an Endearing, Funny Remake

Remaking a film on the Library of Congress's National Film Registry is hardly a task that one should take lightly. Ang Lee's The Wedding Banquet dials up the p...

New to Streaming: Eephus, Grand Tour, The Woman in the Yard, Youth Trilogy & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Dead Mail Review: A New Twist on the Slasher Flick

Note: This review was originally published as part of our 2024 SXSW coverage. Dead Mail is now on Shudder. Blending found footage and what appears to be gra...

NYC Weekend Watch: Salò, Greed, Jerry Lewis, & More

NYC Weekend Watch is our weekly round-up of repertory offerings. BAMTriple Canopy Presents: In The Hole brings 35mm prints of Salò, Tsai Ming-liang's The Ho...

News

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

Trailers

Will Poulter Navigates an American Crisis In First Trailer for Union County

Exclusive Trailer for Japan Cuts 2026 Highlights the Best of New Japanese Cinema

Sophie Thatcher and Charles Melton Traverse Giallo Underworld In Trailer for Nicolas Winding Refn’s Her Private Hell

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

NYC Weekend Watch: 70mm Conspiracies, Immigrants, Spectres, Sherman’s March & More

Posterized July 2026: The Samurai and the Prisoner, The Odyssey, Night Nurse & More

12 Films to See in July

Interviews

Ross McElwee on Remake and the Painful, Profound Process of Making a Testament to His Son’s Life

Tamra Davis on Billy Madison, Half Baked, Watching Fellini and Coppola on Set, Bonding with Britney Spears, and The Best Summer

“There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls

Podcasts

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

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