The Film Stage - Page 127

The Film Stage Show Ep. 521 – The Holdovers (with Gerald Peary)

Welcome to a new episode of The Film Stage Show! On a new episode, Brian Roan and Robyn Bahr are joined by special guest Gerald Peary to discuss Alexander Payn...

Tony Leung and Andy Lau Square Off In New, English-Subtitled Trailer for The Goldfinger

Update: The Goldfinger will also get a U.S. and Canada theatrical release on December 30. It's been a long wait for The Goldfinger, which reunites Infernal ...

Rodrigo Prieto on Martin Scorsese’s Method and Formatting Killers of the Flower Moon and Barbie for IMAX

It's often the case that cinematographers are worth an interview no matter their film or director. Rodrigo Prieto, on the other hand, presents a larger canvas....

Smoke Sauna Sisterhood Review: A Noble if Too-Clinical Portrait of Women Talking

Generally, when I enter the small sauna room at my local YMCA after a workout, I’m prone to eavesdrop (it is a confined space, after all) on a group of men opi...

NYC Weekend Watch: World Cinema Project, Peeping Tom, The Long Day Closes, the Before Trilogy & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Anthology Film ArchivesThe films of Martin Scorsese’s World Cinema Project are sc...

New to Streaming: Oppenheimer, Afire, Stamped from the Beginning & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Alma Pöysti on the Soft Smiles and Sad Songs of Aki Kaurismäki’s Fallen Leaves

Aki Kaurismäki’s 20th film keeps his signature humor and style. Fallen Leaves, starring Alma Pöysti and Jussi Vatanen as lonely, meant-to-be lovers, finds the ...

The Film Stage Show Ep. 520 – The Killer (with Noah Gittell)

Welcome to a new episode of The Film Stage Show! On a new episode, Brian Roan and Robyn Bahr are joined by special guest Noah Gittell to discuss David Fincher'...

Hirokazu Kore-eda on Why Monster is Not Like Rashomon, Queer Storytelling, and Ryuichi Sakamoto

Returning to Japan for the first time since his Palme d'Or-winning Shoplifters - after venturing to France and South Korea - Hirokazu Kore-eda's Monster was in...

First Look at Robert Eggers’ Nosferatu Brings Murnau to the Modern Age

Update: Nosferatu will open on December 25, 2024. After his biggest project yet with The Northman, Robert Eggers jumped quickly into his long-developing pas...

News

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Yokohama BJ Blues Makes U.S. Theatrical Premiere on November 11 from Amnesiascope

Trailers

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Raoul Peck Investigates a Photographer Pioneer in First Trailer for Ernest Cole: Lost and Found

Reviews

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

AFI Fest Review: My Favourite Cake Finds an Autumnal Romance Blooming Under Iranian Authoritarianism

Features

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

New to Streaming: Trap, One False Move, Rap World, Daaaaaalí!, The Remarkable Life of Ibelin & More

NYC Weekend Watch: Shadows of Forgotten Ancestors, Candy Mountain, Chantal Akerman, Azazel Jacobs & More

Interviews

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

“100 Clichés Move Us”: Rumours Directors Guy Maddin, Evan Johnson & Galen Johnson on Finding Humor in a World in Crisis

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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