Since 1989, the National Film Registry of the Library of Congress has been accomplishing the important task of preserving films that “represent important cultu...
Coming off one of the best performances of the year in Ira Sachs' Passages, Franz Rogowski will next be seen in Giacomo Abbruzzese’s stylish debut Disco Boy, w...
Catering directly to my interests, the Criterion Channel's January lineup boasts two of my favorite things: James Gray and cats. In the former case it's his fi...
Since it took Hollywood executives far too long to get their shit together and pay writers and actors what they deserve, a number of major 2023 films were dela...
As the arthouse cinema market continues to regain its footing, the list of what may be considered an overlooked film could be quite vast, depending on one's me...
One of the less public-facing key talents at the most publicly scrutinized animation studio in the world, cinematographer Atsushi Okui joined Studio Ghibli in ...
While he didn't release a new film this year, the work of Jim Jarmusch still got the cinematic spotlight thanks to Aki Kaurismäki's inclusion of The Dead Don't...
Nearly 24 years ago, Chris Wilcha premiered his debut feature documentary, Target Shoots First, a fascinating personal essay shot on a Hi8 camera gifted to him...
Rounding up the best unproduced screenplays in Hollywood, as voted on by hundreds of film executives, The Black List has been a strong resource to clue one in ...
Willem Dafoe is your favorite actor’s favorite actor. He’s your favorite director’s favorite actor. He’s likely most people’s dad’s favorite actor. Over his 40...