Welcome, one and all, to the newest episode of The Film Stage Roundtable, a spin-off podcast from the madmen who bring you The Film Stage Show. On this show...
After an initial green band trailer for André Øvredal's Trollhunter follow-up The Autopsy of Jane Doe, we now have a dissection with a little more bite in t...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Ken Loach has spent the last half-century crafting iconic films with a push for social issues. This year he became only the 9th director to earn a second Pa...
That The Accountant is written by Bill Dubuque, the same man who gave us The Judge, makes so much sense, and about halfway through it becomes clear how far this...
From the moment an electric guitar's riff introduces heroine and painter Katsushika Ōi (Anne Watanabe) in 1814 Edo, Japan, Keiichi Hara's Miss Hokusai clearly w...
There's been cause for concern with Rogue One: A Star Wars Story. While at least some form of by-committee filmmaking is expected of, oh, every blockbuster,...
Emmy-winning director James Steven Sadwith makes his feature-directing debut with a story close to his heart. Coming Through the Rye fictionalizes his experienc...
There's no question that Thomas Dekker's sophomore effort as writer-director is a head-scratcher. What you as a viewer must decide is whether or not to keep scr...
Loving Vincent, a Vincent Van Gogh biopic, caught our eye for telling its story entirely through interviews with those depicted in his art. The ambitious-so...