As the ice flows thaw in the 24-hour daylight of a northern Norwegian summer, so too does the relationship of a father and son in Thomas Arslan’s Bright Nights,...
Liberalism will eat itself! At least according to The Party, that is, and we’re not just speaking figuratively. Indeed, at one point in Sally Potter’s new film ...
There's universality to Mathieu Denis and Simon Lavoie's Those Who Make Revolution Halfway Only Dig Their Own Graves, even if it is very much a Québécois film. ...
One of our favorite films from last year's Venice Film Festival is making its way to the United States. Hounds of Love, a harrowing debut from Australian di...
British filmmakers have a recent habit of bringing about canonical additions to UK queer cinema with their debuts. Andrew Haigh’s heartbreaking romance Weekend ...
“Diversity is important in Hollywood, and I would never want to feel like I was playing a character that was offensive,” Scarlett Johansson told Marie Clair...
With this visually and conceptually startling debut from Eduardo Casanova, the question of how John Waters and Pedro Almodóvar’s love child would fare as a film...
Enough footage of Alberto Giacometti exists to suggest that Geoffrey Rush is quite uncanny as the renowned surrealist sculptor in Final Portrait, a depiction of...
You can never have too much Isabelle Huppert, but in Barrage, the legendary actress plays a supporting role that perhaps shows you can have too little. It’s a g...
It’s one thing to give your movie a title as sweepingly ambitious as On Body and Soul, but quite another to deliver something equally transcendent. With this co...