The Film Stage - Page 1105

Killings Begin in Full Trailer for Adam Wingard’s ‘Death Note’

Before he takes a more substantial leap forward in terms of a scale with the 2020-bound Godzilla vs. Kong, Adam Wingard (The Guest, You're Next) is releasin...

Posterized July 2017: ‘Dunkirk,’ ‘A Ghost Story,’ ‘Atomic Blonde,’ and More

This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....

Trailer for ‘Women Who Kill’ Introduces a Rom-Com With a Serial Killer Twist

One of our festival favorites of the past year-plus is finally getting a release. "Morbid curiosities make for unusual romantic comedy fodder in Ingrid Jung...

Review: ‘The House’ Continues the Summer Studio Comedy Drought

The summer studio comedy drought continues with The House. Although occasionally funny, it’s a minor entry into the canon of Will Ferrell’s usual brand of humor...

The Film Stage Show Ep. 250 – Baby Driver

We talk Edgar Wright's car chase-heavy, music-filled heist film....

Review: ‘The B-Side: Elsa Dorfman’s Portrait Photography’ is a Poignant But Stagnant Documentary

The B-Side: Elsa Dorfman’s Portrait Photography winds up feeling in many ways like the much-talked about concept of its protagonist. That is to say, the stuff l...

Review: ‘Despicable Me 3’ Isn’t Genius, But it May Make You Laugh

Full disclosure: I have seen neither Despicable Me nor Despicable Me 2, but the franchise’s third installment kind of makes me want to. Now let me set the recor...

New to Streaming: ‘Song to Song,’ ‘Personal Shopper,’ ‘The Lost City of Z,’ ‘Okja,’ and More

All the newly streaming films on Netflix, FilmStruck, Amazon, and more....

Review: ‘bwoy’ is a Rarity in Contemporary Queer Cinema

What will future generations make of the way in which dating moved from the world of the corporeal to the digital realm in the 21st century? Will the process of...

NYC Weekend Watch: Edgar Wright’s Favorites, ‘THX 1138,’ Jules Dassin & More

The best films screening in NYC this weekend....

News

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

Trailers

James Baldwin Arrives In Paris In Trailer for Yashaddai Owens’ Jimmy, Opening This July

First Trailer for Robert Eggers’ Werwulf Unleashes the Devil Within

Remake Trailer: Ross McElwee Crafts the Most Heartbreaking Documentary of 2026

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

New to Streaming: Blue Heron, I Love Boosters, Tuner, The Sheep Detectives & More

The Best Films of 2026 (So Far)

NYC Weekend Watch: Elaine May, Guy Maddin, Vincente Minnelli, Law of Desire & More

Interviews

“There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls

“Memory Is Not Something You Can Trust”: Carla Simón on Romería, Family Stories, and Antonioni

“There Are Always Fascists to Defeat”: John Waters on the Enduring Legacy of His Films and Never Getting Cancelled

Podcasts

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

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