The Film Stage - Page 1067

Busan Review: ‘The Bold, the Corrupt, and the Beautiful’ is a Sumptuous, Entertaining Taiwanese Thriller

Being the biggest of its kind in Asia, the Busan International Film Festival offers an excellent showcase for emerging talents from the vast and vastly varied c...

Review: ‘American Satan’ is a Nightmare of Sex, Drugs, and Heavy Metal

American Satan is the kind of film that might very well pop up as an Alamo Drafthouse Weird Wednesday screening in the coming years. It’s a shame its distributo...

Busan Review: ‘Love Education’ is an Earnest, Warm Multi-Generational Drama

Death is literally the beginning in the cross-generational relationship drama Love Education, which closes the 2017 Busan International Film Festival today. In ...

NYC Weekend Watch: Giallo, ‘The Sacrifice,’ ‘The Last of the Mohicans,’ Monty Python & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...

New to Streaming: ‘The Untamed,’ Jean-Luc Godard, ‘Whose Streets?,’ and More

All the newly streaming films on Amazon, Netflix, FilmStruck, and more....

Review: ‘The Snowman’ is a Fractured Mess Absent of Suspense and Substance

The biggest mystery within Tomas Alfredson's The Snowman concerns its own creation. How exactly did a movie like this get made by the people involved? It's not ...

Review: ‘Only the Brave’ Depicts Tragedy with Realistic Bravado

The word hero seems to be mentioned a great deal in this age of the 24-hour news cycle, but the members of the Granite Mountain “Hotshots” genuinely deserve to ...

‘Princess Cyd’ Trailer: Meet One of 2017’s Most Beautiful Films

There are few directors working today that love their characters more than Stephen Cone. After reaching a wider audience with one of 2015's best films, Henr...

Louis C.K. Invites Controversy in First Trailer for ‘I Love You, Daddy’

Marking Louis C.K.'s first feature film in 16 years -- since his rather infamous Pootie Tang -- I Love You, Daddy was filmed under the radar and premiered a...

Jean-Luc Godard’s Bewitchingly Self-Reflexive Midlife Crisis

Emerging from his politically radical period of low-budget, didactic political commentaries with revolutionary overtones, produced primarily on 16mm or tape for television broadcast, prolific French avant-garde iconoclast Jean-Luc Godard unexpectedly returned to commercial filmmaking....

News

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

The Criterion Channel’s July Lineup Features Harry Dean Stanton, Jonathan Demme, The Prisoner & More

The Criterion Collection’s September Lineup Features Leos Carax 4K Set, The Secret Agent, Richard Linklater, Satyajit Ray & More

Trailers

Exclusive Trailer for Film Forum’s Laurel & Hardy Retrospective Celebrates Comedy Titans

Dreams in Nightmares Trailer: Shatara Michelle Ford’s Acclaimed Second Feature Arrives in August

Shinya Tsukamoto Goes to War In Trailer for English-Language Vietnam Film Mr. Nelson, Did You Kill People?

Reviews

Rose of Nevada Review: Mark Jenkin’s Stupefying, Time-Slipping Ghost Story

Maddie’s Secret Review: John Early Shows Total Commitment In Feature Debut

Tribeca Review: Alicia Vikander Gives a Restrained, Layered Performance in The Last Day

Features

New to Streaming: Two Pianos, The Last One for the Road, Pressure, The Wizard of the Kremlin & More

The Best Movies Now Playing in Theaters

New to Streaming: Blue Film, I Am Frankelda, It’s Dorothy! & More

Interviews

“It Was Our Job to Commit”: John Early on the Roman Empire, Paul Verhoeven, and Maddie’s Secret

“I’ve Got No Idea How That Works”: Mark Jenkin on Rose of Nevada

Michael Sarnoski on His Favorite Robin Hood Films and the Character’s Violent Mythology

Podcasts

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

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