Following up his Golden Lion-winning drama The Woman Who Left, Lav Diaz is returning to Berlinale 2018 with his latest film, Ang Panahon ng Halimaw aka Seas...
This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....
Since releasing it in November would have been too obvious, later this month the Estonian black-and-white fantasy horror you've been waiting for will arrive...
One of the most compelling, intense character studies I've seen in a great while is Western, which made its premiere at last year's Cannes Film Festival. Af...
This week, Sebastían Lelio's A Fantastic Woman, coming off of its Oscar nomination for Best Foreign Language Film, will arrive in theaters, but it's not the...
For the fourth time in just one year, Korean cinema's hottest / most-controversial couple have a (likely excellent) film to premiere. Following the masterfu...
Welcome, one and all, to the latest installment of The Film Stage Show! Today, Benevolent Lord and Master Jordan Raup and my Arch Nemesis Dan Mecca stop by ...