“En la comunidad hay poder. En los números hay fuerza.” Translated to English, this line means “There’s power in community. There’s strength in numbers.” Sp...
One of the best films I saw at Sundance Film Festival this year was Wildlife, the directorial debut of Paul Dano. Starring Carey Mulligan, Ed Oxenbould, Bil...
After winning the Oscar for his austere drama Ida, Paweł Pawlikowski returned this year, premiering his latest film Cold War at the Cannes Film Festival, wh...
There's nothing like some yokel conversation to introduce a film's environment while also foreshadowing the ensuing plot. It's easy to dismiss the aging gas sta...
Custody, also known by its French title Jusqu'à la garde, tells the seemingly familiar story of a messy divorce, and the inherent conversation of child cust...
First premiering at the Toronto International Film Festival last fall, Papillon is now slated for a theatrical release later this summer, and the first trai...
The King, Eugene Jarecki’s newest documentary feature, first premiered one year ago, finding critical success at the Cannes Film Festival under the title Pr...
After months of anticipation – and after only being slightly relieved through teasing information from director Nicolas Winding Refn’s Twitter posts, as wel...
The stunning vistas aren't the only signifiers of the western genre in Damsel, yet we quickly grasp that David and Nathan Zellner have crafted revisionist t...
Jean Cocteau's filmography could be considered relatively modest compared to some of his French brethren -- but with an output among cinema's most immense, ...