A rather satisfactory thriller from Aussie filmmaker Damien Power, Killing Ground is casually engaging and skillfully plotted, despite a bland absence of nuance...
A gentle and often whimsical look at the art of raising children at Ireland’s only primary boarding school, Headford, School Life is a warm work of cinéma vérit...
Highlighting the economies of migrant workers from Nepal, India, Ghana, and Kenya living and working in Qatar as the country prepares for the 2022 FIFA World Cu...
Although it was marketed as an “abortion romantic comedy,” Obvious Child went beyond that basic moniker, using the set-up to mine humor from the fears and anxie...
The premise is a simple one. A man only credited as C (Casey Affleck) dies after a head-on car accident in front of his house, leaving behind his wife, M (Roone...
With a generation now largely measuring their self-esteem by the amount of likes on their Instagram feed, the veneer of a perfect life is a sought-after badge o...
From start to finish, The Big Sick, directed by Michael Showalter, works as a lovingly-rendered, cinematic answer to the dinner party question: "So how did you ...
With the strongest one-two punch of first produced scripts in Hollywood the past few years, Taylor Sheridan has emerged as a distinctive voice in revitalizing t...
While the recent 10 Cloverfield Lane and Room told stories of captivity with various hooks -- science-fiction and the process of healing, respectively -- Cate S...
Writer-director Jim Strouse has been a Park City mainstay for many years, constantly delivering kind, nuanced pieces of work concerning modest people doing thei...
